I recently gathered up my experience as a graduate psychologist, cognitive behavioural coach, and Mental Health First Aider for my first on set role as a Wellbeing Facilitator. Having worked previously as a 1st Assistant Director and Intimacy Coordinator, it was really inspiring to find another rewarding crew role and I am keen to expand upon my experience as a WF.
The film is called CONTACT HOURS and aims to start a conversation about suicide in the student population. So psychological safety and cast / crew wellbeing were front of mind for the production team from the start. With Rose Rowkins, a suicide prevention trainer, and the best practice guidance from The Film & TV Charity, I covered:
Pre-production
Core team buy-in and communication - Rose and I joined weekly production team meetings.
The Mental Health Risk Assessment - this covered content-specific issues (suicide, but also alcoholism, father / son relationships, absent mothers) and also risks such as work-related stress, team cohesion issues, and heat-related wellbeing issues given that we were filming in July.
Working Well With Me Plans - this enabled us to have awareness of pre-existing issues for each individual, the ability to observe changes in behaviour if someone was potentially struggling, and to implement mitigation strategies such as 1-2-1s, coaching, and mindful communication across the team.
A #WellbeingTipOfTheDay sent via WhatsApp to the Heads of Department during the week before the shoot.
On set
We dealt with a 30-degree heat wave using cool zones, hydration stations and additional breaks, as well as mindful language regarding the heat and its potential causes.
A resource sheetwas emailed out with every call sheet detailing how to contact the wellbeing team, suicide prevention and bereavement helplines, and tips for practising self-care.
Daily Wellbeing Briefings and Wind Downs encouraging mindful working practices and adherence to self-care.
A visible presence on set and at Unit Base.
Post-production
A personal video from the Wellbeing Team, recapping key messages from the on-set briefings, and their own Working Well With Me plans.
Regular ‘check-in’ messages throughout the post-production process.
Email me for a more detailed case study about the project.
For future roles I'm particularly interested in the role of the WF when dealing with content related to climate disruption.